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Archival storytelling : a filmmaker's guide to finding, using, and licensing third-party visuals and music / Sheila Curran Bernard and Kenn Rabin.

By: Contributor(s): Publisher: London ; New York : Routledge, 2020Edition: Second editionDescription: ix, 341 pages : illustrations ; 23 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781138915046
  • 9781138915039
Subject(s): DDC classification:
  • 070.1/8 23
LOC classification:
  • PN1995.9.D6 B393 2020
Summary: "Fully revised and updated, Archival Storytelling is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today. Whether you're a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials-images, audio, or music that you yourself did not create-to use them in your work. This book explains what's involved in researching and licensing visuals and music, and exactly what media makers needs to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists. This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us"-- Provided by publisher.
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Item type Current library Call number Status Date due Barcode
Normal 21 days City Campus FE 070.18 BER (Browse shelf(Opens below)) Available (In Transit to Openshaw) 00232228

"Fully revised and updated, Archival Storytelling is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today. Whether you're a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials-images, audio, or music that you yourself did not create-to use them in your work. This book explains what's involved in researching and licensing visuals and music, and exactly what media makers needs to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists. This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us"-- Provided by publisher.

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