TY  - BOOK
AU  - Bode,Lisa
TI  - Making believe: screen performance and special effects in popular cinema 
T2  - Techniques of the Moving Image
SN  - 9780813579986
AV  - TR858 .B63 2017
U1  - 791.43024 23
PY  - 2017///]
CY  - New Brunswick, New Jersey, London
PB  - Rutgers University Press
KW  - Cinematography
KW  - Special effects
KW  - Digital cinematography
KW  - Human locomotion
KW  - Computer simulation
KW  - Movement (Acting)
KW  - Technique
KW  - PERFORMING ARTS
KW  - Film & Video
KW  - History & Criticism
KW  - bisacsh
KW  - TECHNOLOGY & ENGINEERING
KW  - Television & Video
KW  - COMPUTERS
KW  - Digital Media
KW  - Video & Animation
KW  - ART
KW  - fast
KW  - Digitale Filmtechnik
KW  - gnd
KW  - Film
KW  - Filmtrick
KW  - Schauspielkunst
KW  - Spezialeffekt
N1  - Includes bibliographical references (pages 197-222) and index; Introduction -- Acting through machines : fidelity and expression from cameras to Mo-Cap -- Behind rubber and pixels : mimesis, seamlessness, and acting achievement -- In another's skin : typecasting, identity, and the limits of proteanism -- Double trouble : authenticity, fakery, and concealed performance labor -- Performing with themselves : versatility, timing, and nuance in multiple roles -- There is no there there : making believe in composite screen space -- Conclusion; Also issued online
N2  - "In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers, or inserted into perilous or fantastic situations and scenery. Making Believe sheds new light on these developments by historicizing screen performance within the context of visual and special effects cinema and technological change in Hollywood filmmaking, through the silent, early sound, and current digital eras. Making Believe incorporates North American film reviews and editorials, actor and crew interviews, trade and fan magazine commentary, actor training manuals, and film production publicity materials to discuss the shifts in screen acting practice and philosophy around transfiguring makeup, doubles, motion capture, and acting to absent places or characters. Along the way it considers how performers and visual and special effects crew work together, and struggle with the industry, critics, and each other to define the aesthetic value of their work, in an industrial system of technological reproduction. Bode opens our eyes to the performing illusions we love and the tensions we experience in wanting to believe in spite of our knowledge that it is all make believe in the end"--
ER  -