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Fake love letters, forged telegrams, and prison escape maps : designing graphic props for filmmaking / Annie Atkins.

By: Publisher: London : Phaidon Press Limited, 2020Copyright date: ©2020Description: 206 pages : illustrations (chiefly color) ; 26 cmContent type:
  • text
  • still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780714879383
  • 071487938X
Other title:
  • Designing graphic props for filmmaking
Subject(s): DDC classification:
  • 791.43025 23
LOC classification:
  • PN1995.9.S69 A85 2020
Contents:
Details -- Research -- Zubrowka -- Continuity -- Language -- Tools.
Although graphic props such as invitations, letters, tickets, and packaging are rarely seen close-up by a cinema audience, they are designed in painstaking detail. Dublin-based designer Annie Atkins invites readers into the creative process behind her intricately designed, rigorously researched, and visually stunning graphic props. These objects may be given just a fleeting moment of screen time, but their authenticity is vital and their role is crucial: to nudge both the actors on set and the audience just that much further into the fictional world of the film.
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Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Normal 21 days City Campus FE 791.43025 ATK (Browse shelf(Opens below)) Available (In Transit to Openshaw) 00232236

Details -- Research -- Zubrowka -- Continuity -- Language -- Tools.

Although graphic props such as invitations, letters, tickets, and packaging are rarely seen close-up by a cinema audience, they are designed in painstaking detail. Dublin-based designer Annie Atkins invites readers into the creative process behind her intricately designed, rigorously researched, and visually stunning graphic props. These objects may be given just a fleeting moment of screen time, but their authenticity is vital and their role is crucial: to nudge both the actors on set and the audience just that much further into the fictional world of the film.

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