MARC details
| 000 -LEADER |
|---|
| fixed length control field |
04872cam a22004091a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
023157038 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
UkOxU |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20230522132823.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS |
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| fixed length control field |
m o d |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
|---|
| fixed length control field |
cr unu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
130912s2008 maua o 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780240520803 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)857920707 |
| Canceled/invalid control number |
(OCoLC)463251312 |
| 037 ## - SOURCE OF ACQUISITION |
|---|
| Stock number |
CL0500000273 |
| Source of stock number/acquisition |
Safari Books Online |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
UMI |
| Language of cataloging |
eng |
| Description conventions |
pn |
| Transcribing agency |
UMI |
| Modifying agency |
COO |
| -- |
DEBSZ |
| -- |
CDN |
| -- |
YDXCP |
| -- |
IDEBK |
| -- |
A7U |
| -- |
OCLCO |
| -- |
OCLCF |
| -- |
OCLCQ |
| -- |
CEF |
| -- |
UAB |
| -- |
YDX |
| -- |
OCLCO |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
EQOA |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
TK6655.V5 |
| Item number |
M55 2008 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
778.59 OWE |
| Edition number |
22 |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
|---|
| Classification number |
WMS857920707 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Millerson, Gerald. |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Video production handbook / |
| Statement of responsibility, etc. |
Gerald Millerson, Jim Owens. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
4th ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Burlington, MA : |
| Name of publisher, distributor, etc. |
Focal Press, |
| Date of publication, distribution, etc. |
©2008. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 online resource (1 volume) : |
| Other physical details |
illustrations |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Cover -- Copyright -- Contents -- Acknowledgments -- Introduction -- 1 Overview of video production -- 1.1 What is video production? -- FIRST STEP IN VIDEO PRODUCTION -- 1.2 The need for "know-how" -- 1.3 It's designed for you -- 1.4 Learning basics -- 1.5 Remember the purpose -- 1.6 Equipment -- 1.7 What equipment is needed? -- 1.8 Is there a right way? -- 1.9 The production approach -- TECHNICALITIES -- 1.10 Equipment performance -- 2 Production crew -- 2.1 Production crew size -- VIDEO PRODUCTION CREW JOB DESCRIPTIONS -- 2.2 Producer -- 2.3 Assistant producer or associate producer (AP) -- 2.4 Director -- 2.5 Assistant director or associate director (AD) -- 2.6 Floor manager (FM) or stage manager (SM) -- 2.7 Production assistant (PA) -- 2.8 Technical director (TD) or vision mixer -- 2.9 Makeup artist -- 2.10 Graphic designer/operator -- 2.11 Lighting director/vision supervisor -- 2.12 Camera operator -- 2.13 Camera assistant -- 2.14 Audio mixer/sound mixer/sound supervisor -- 2.15 Boom operator or audio assistant -- 2.16 Engineer -- 2.17 Writer -- 2.18 Editor -- 2.19 Set designer -- PROFESSIONAL CREW -- 2.20 Freelance crew -- 2.21 Below-the-line/above-the-line -- 2.22 The structure of a video production crew -- 3 Organizing the production -- 3.1 Art conceals craft -- 3.2 Shot selection -- 3.3 The problem of familiarity -- 3.4 The problem of quality -- 3.5 The problem of "bigger and better" -- 3.6 Communication can be elusive -- 3.7 Start with an idea (concept) -- 3.8 Goals and objectives -- 3.9 Target audience -- 3.10 Research -- 3.11 Covering the subject -- 3.12 Production methods -- 3.13 The empirical approach -- 3.14 The planned approach -- 3.15 Storyboards -- 3.16 Why plan? -- 3.17 The three stages of production -- 3.18 Coverage -- 3.19 Building an outline -- 3.20 Broad treatment -- 3.21 Production research -- 3.22 Remote surveys (recce) -- 3.23 Freedom to plan -- 3.24 Single camera shooting -- 3.25 Multicamera shooting -- 3.26 Copyright -- 3.27 Contracts -- 4 Production techniques -- 4.1 Single- and multicamera production -- 4.2 Multicamera ISO -- 4.3 Multicamera production without a switcher -- 4.4 The illusion of reality -- 4.5 The camera's role -- 4.6 The camera as an observer -- 4.7 The persuasive camera -- 4.8 Beginning and ending -- 4.9 Production methods -- 4.10 How do you visualize something that does not exist? -- 5 Writing for video -- 5.1 The script's purpose -- 5.2 Is a script needed? -- 5.3 Basic script formats -- 5.4 The full script -- 5.5 The drama script -- 5.6 Suggestions on scriptwriting -- 5.7 Be visual -- 5.8 Assimilation -- 5.9 Relative pace -- 5.10 Style -- 6 The camera -- 6.1 A range of models -- 6.2 Cameracraft -- CAMERA FEATURES -- 6.3 Main features -- 6.4 The lens system -- 6.5 Focal length and lens angle -- 6.6 The prime lens -- 6.7 The zoom lens -- 6.8 Zoom lens control -- 6.9 The aperture of the camera -- 6.10 Lens accessories -- 6.11 The image sensor -- 6.12 Sensitivity -- 6.13 The viewfinder -- 6.14 Indicators -- 6.15 Audio -- 6.16 Power -- CONTROLLING THE CAMERA. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
'Video Production Handbook' guides you step-by-step, explaining how to develop your initial programme ideas, and build them into a successful working format. It covers the techniques of persuasive camerawork, successful lighting and video editing. |
| 588 ## - SOURCE OF DESCRIPTION NOTE |
|---|
| Source of description note |
Description based on print version record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Video recording. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Video recordings |
| General subdivision |
Production and direction. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Owens, Jim, |
| Dates associated with a name |
1957- |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
|---|
| Relationship information |
Print version: |
| Main entry heading |
Millerson, Gerald. |
| Title |
Video production handbook. |
| Edition |
4th ed. |
| Place, publisher, and date of publication |
Amsterdam ; Boston : Focal Press, ©2008 |
| International Standard Book Number |
9780240520803 |
| Record control number |
(DLC) 2008024137 |
| -- |
(OCoLC)229025823 |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Materials specified |
O'Reilly Online Learning Platform: Academic Edition (SAML SSO Access) |
| Uniform Resource Identifier |
<a href="https://go.oreilly.com/university-of-oxford/library/view/-/9780240520803/?ar">https://go.oreilly.com/university-of-oxford/library/view/-/9780240520803/?ar</a> |
| Access status |
1 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Suppress in OPAC |
No |
